We are very pleased about the article about Sankofa in ROCKS. It was written by Gerrit Wustmann.
Life as a journey with an open end, man as a plaything between people and world history, Doğan Akhanlı has never before woven all this so impressively into a multi-layered literary monument as in Sankofa"
For a new article in the taz, Nassir Djafari met Shirin Sojitrawalla in Frankfurt's Palmengarten to talk about himself and his book "Mahtab". Here's a little foretaste: “Djafari tells the story exclusively from Mahtob's perspective. He modeled it on his own mother, he says in an interview. It's not her biography, but she is similar in type to her: reserved and quiet. Her husband Amin also reminds a little of his own father. He is a very
In an interview with UnterEins, Gerrit Wustmann talks about why "world literature" often only means "Western literature", who is to blame and what can be done about it. An interview worth reading that makes you think: Here is a small excerpt from the interview: Your book says: Whenever “world literature” is mentioned somewhere, for example in university lectures or on lists of the best, it is mostly about Western literature: European and Anglo-Saxon books. Perhaps some of you are also wondering: Is it enough? Why do we absolutely have to read Arabic literature, for example? what do you say
In the book podcast by Gabie Hafner from the radio program of the Munich church radio, Fariba Vafi's "An den Regen" was presented as a book tip. The podcast focuses on women in Iran. Here is a small excerpt from the podcast: Iranian author Fariba Vafi aims to create female characters and make voices audible that would otherwise remain silent. It is certainly also the authors of their generation who paved the way for younger women to articulate themselves openly. Here you can
