Sara Ehsan: Deutschland Mon Amour

Sara Ehsan's collection of poems is a mixture of melancholic-dreamy, but also sad-dark and linguistically playful poems. These poems tell of the past, of memories, but also of love, death and the situation in society. But Sara Ehsan's poems are by no means uncritical. The criticism is directed against the closed society. The lyrical self is left out in the constant search for the magic formula that finally allows access, so that one can become part of this society and not only have to remain a marginal figure. Behind the façade of the beautiful words there are often tragic stories that pull the reader along and make them think.

The author

 

lyric | 1st edition 2011 | soft cover | 56 pages

 

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Sara Ehsan: Deutschland Mon Amour

ISBN 978-3-933995-73-5 Genre

Description

Sara Ehsan's collection of poems is a mixture of melancholic-dreamy, but also sad-dark and linguistically playful poems. These poems tell of the past, of memories, but also of love, death and the situation in society. But Sara Ehsan's poems are by no means uncritical. The criticism is directed against the closed society. The lyrical self is left out in the constant search for the magic formula that finally allows access, so that one can become part of this society and not only have to remain a marginal figure. Behind the façade of the beautiful words there are often tragic stories that pull the reader along and make them think.

With illustrations by Hannes Haus.

 

Reviews and press:

FixPoetry:

The young poet Sara Ehsan, born in Sharoud (Iran), has lived in Germany since 1986, compares life with "scratching oneself / on a / house wall". That's exactly what she does in her debut poetry "Deutschland Mon Amour", which has just been published in the Bremer Sujet Verlag has been published, illustrated by the artist Hannes Haus, who grew up in Greece: She scratches and rubs at life and takes the culture clash that has become a dictum with a biting tongue in cheek. They are poems whose fatalistic charm is difficult to resist. (...) more 

– Gerrit Wustmann

 

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